From Tian Dayou, who no one cares about in "Scarlet Xiangxi", to Fan Xiliang, who made Sun Honglei salute in "The Right Way in the World is the Vicissitudes of Life".

Huang Pinyuan's bones are engraved with the genes of a soldier, his grandfather was a revolutionary martyr, and after the sacrifice, Huang Pinyuan's mother Wang Xing was left behind, and Huang Pinyuan's father was also an intellectual.

Born in such a family, the vigorous and resolute style and unambiguous character of the fathers made Huang Pinyuan understand the truth of "doing things solidly and being a frank person" early on.

This kind of environment has created his unique "axis strength", even if he falls and bruises his legs when filming, he will never fool a shot.

In Huang Pinyuan's childhood memories, the open-air cinema was his favorite place.

Classic movies such as "Tunnel War" and "Heroes' Children" are played repeatedly, and he always likes to imitate the characters in the film to punch and kick his legs.

When the art troupe went to the countryside to perform, Huang Pinyuan pulled the curtain and peeked at the actors' makeup; During the drama performance in the auditorium, he squatted backstage to watch how the old artists conveyed their emotions with their eyes.

These fragmentary memories were buried in Huang Pinyuan's heart like seeds, and they did not break through the ground until 20 years later.

Huang Pinyuan has an elder brother who is a professor of Chuanmei, for which Huang Pinyuan also teased himself, his brother took away his parents' art genes, and only left him music genes.

Under Huang Pinyuan's seemingly resolute and upright appearance, there are artistic cells raised by music.

In 38 years, Huang Pinyuan, who was already 0 years old, still starred in the first TV series of his life "Storm and Clouds Dominate the World" under the name of Huang Ruomeng.

Others say that it is necessary to chase dreams as soon as possible, Huang Pinyuan is already middle-aged, and he still can't let go of the dream of being an actor in his heart.

When I was a child, the acting skills of stealing teachers backstage in the art troupe, and the demeanor of the characters in front of the big screen, finally turned into the confidence of Huang Pinyuan to shape the characters later.

When his peers were busy going to the sea to do business, this "red third generation" stubbornly guarded the dream of a poor actor, just like the veterans he saw in his childhood, and he would never retreat when he recognized the position.

In the following years, Huang Pinyuan starred in works such as "Yellow River Song Xing", "General Chen Geng", "Scarlet Xiangxi" and so on.

There are TV series and movies, supporting roles and starring actors, but without exception, they did not bring Huang Pinyuan the opportunity to become an instant hit.

Huang Pinyuan's portrayal of Fan Xiliang in "The Right Way in the World is the Vicissitudes of Life" broke the stereotype of traditional soldiers.

This officer from the Whampoa Military Academy not only has the coldness when he swings his knife at the deserter, but also the warmth of sorting out the relics for his comrades in private.

Huang Pinyuan deliberately studied the old photos of the Whampoa Military Academy, imitating the sitting posture of the soldiers with their backs straight, and even put a pocket watch in the pocket of the military uniform for a long time, so that the character's action of taking out the pocket watch to look at the time became a subconscious habit.

In the face of brothers with different beliefs, the restrained reluctance and determination in his eyes let the audience see the helplessness of soldiers in the war years who were coerced by the torrent of the times.

This role may be Huang Pinyuan's most famous and most impressive role after entering the industry.

In 49, 0-year-old Huang Ruomeng issued a statement changing his name to "Huang Pinyuan", a decision that implied his redefinition of performing arts.

The word "Yuan" in the new name is taken from the image of "Yuan Youzhixili Youlan" in Qu Yuan's "Nine Songs".

It not only echoes his family's relationship with red culture, but also entrusts the vision of sticking to the original intention of art like vanilla.

But changing the name is generally a newcomer stepping into the entertainment industry, and choosing a name is easy to remember, Huang Pinyuan changed his name after 40 years, which is really confusing.

At that time, Huang Pinyuan had been in the film and television industry for nearly 20 years, from Tian Dayou in "Scarlet Xiangxi" to Fan Xiliang in "The Right Way in the World is the Vicissitudes of Life", and he always broke through the bottleneck of "familiar actor" in one breath.

The name change is like fading the old cocoon, laying the groundwork for the subsequent transformation of Huang Pinyuan, and becoming a watershed in Huang Pinyuan's career.

Sometimes life is so ingenious, and Huang Pinyuan ushered in a new development opportunity after the renaming.

He starred in hardcore historical figures one after another, and in 2014 years he portrayed Dai Tao, a national army instructor in ragged clothes but with iron bones, in "Forty-Nine Days: Sacrifice".

Huang Pinyuan experienced military training three months in advance, and filmed trench scenes in a sub-zero environment resulting in frostbite on his knees, showing his "professional military household" characteristics for the first time.

Since then, Guo Songling in "Young Marshal" and Chen Shuxiang, the commander of the Red Army division who still commands the battle in "Glory and Dreams", have all been deeply rooted in the hearts of the people with their fierce and bloody images.

Especially in "In the Name of the People", Huang Pinyuan plays a grassroots cadre who is easy to learn, and the secret is to "remove the traces of performance".

He observed the grassroots civil servants in reality and found that many people were accustomed to carrying water cups and snacks with them.

So Huang Pinyuan used the details of carrying tea eggs and riding an electric car to liven up the realism of the characters in the system, and used yellowed nails and worn briefcases to strengthen the characters' down-to-earth characteristics.

In the play, he rode an electric car to and from work, squatting on the ridge and nibbling on cold steamed buns, without a single line, but let the audience naturally substitute for the role.

This kind of "life flow" performance method makes Yi Xuexue the official image closest to ordinary people in the whole play.

From Huang Ruomeng to Huang Pinyuan, this "breaking the cocoon" thirty years late, Huang Pinyuan finally ushered in the golden period of creation after the age of 50, forming a unique performance style.

A good actor is not about "becoming" a character, but about letting the character "grow" out of his body.

三十載光陰，黃品沅用“角色比人紅”的清醒踐行著最樸素的演員哲學。

He doesn't participate in variety shows, doesn't hype up topics, and rarely even gives interviews, but he can make every character brand into the hearts of the audience.

This "invisibility" behind the work comes from the awe of the profession, and he firmly believes that the value of an actor is not in the hot search list, but in whether the role can speak for ordinary people.

This almost stubborn truthfulness makes each of Huang Pinyuan's characters carry the raw edges of life and the temperature of breathing.

When his peers were anxious about the "mid-life crisis", Huang Pinyuan found calm in the precipitation of the years, hiding stories in his wrinkles and mountains and rivers in his eyes.

A real actor doesn't need to stand in the spotlight and scream, just rub his soul into the character. Time will tell which performances can penetrate the screen and take root in the audience's memory.