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宋祖兒新劇《無憂度》，中式恐怖，山海經妖怪，

If you only look at the subject matter, it is in line with the aesthetics of domestic audiences.

There's been a lot of discussion lately, but I think it's still a bit blown.

A yin and yang eye, a demon hunter, and a Chinese fantasy background where shemales coexist.

At the beginning, the first is the mountain and sea classic, and the human (ren) face owl

This youkai likes to eat people's throats, and when they eat it, they can take away the voice of their victims.

lurking in the world, married the heroine's brother, and became the heroine's sister-in-law.

It's a pity that the heroine is set to resemble yin and yang eyes, and you can see the traces of monsters.

In the end, the demon was successfully eliminated.

This monster is taken from the Classic of Mountains and Seas, and it feels very much like the imagination of the ancients after seeing the parrot.

There is also a companion demon who is particularly fond of musical sounds, so he is very loyal to the human-faced owl.

Judging from the monster setting alone, it's very interesting.

It's a pity that the plot is very loosely filmed, with no concept and no flesh and blood content.

Stay at the narrative level of concave shapes and riddlers.

There is also a mirror demon in the back.

Shuttling between the mirror worlds, he is very cunning, and even the reflection of rivers and swords can be used to escape.

The mirror demon uses a kind of youthful and beautiful pear to tempt those who are in front of the mirror and have an anxious appearance.

Of course, this pear can't be eaten. Zi pear will die if it is eaten, and the mother pear is made from the victim's stomach.

Then, the mirror demon fell in love with a singer, who was the fourth beauty played by Hanikzi, who was originally marketed in Xinjiang after Tong Liya, Reba, and Nazha.

In short, it's this beautiful singer who is really beautiful, and the mirror demon wants her beauty to stay permanent.

But although the singer is greedy for her appearance, she also has her own sweetheart.

This is not a love triangle, so the mirror demon killed his rival and gave his rival's stomach to the singer.

The singer is greedy for youth, and the mirror demon is greedy for the singer, and in the end it is a tragedy.

Just looking at these story introductions, it sounds very much like the Zhiwei novels I read when I was a child, and it's quite interesting.

If this theme is filmed well, it will have the feeling of "Liao Zhai", "Painted Skin", "A Chinese Ghost Story" and "Tang Wei".

But, alas, the pros and cons are obvious.

The advantage is that the technology has advanced now, and just looking at the lens sense of some Chinese horror, it is indeed uniquely beautiful.

The special effects and action design are incomparable to the old works of the past.

In the form of a unit drama, a story and a fable, shemale, fantasy, desire, social phenomena, all kinds of mapping, it can be regarded as a type that the audience likes very much.

But, there are quite a lot of shortcomings -

First of all, as I said earlier, there is only a concept, the landing is very poor, and the narrative skills and content are far below expectations.

Why is "Tang Wei" successful?

Although you know that his illusion monsters are all gimmicks and solving cases is just a skin, its narrative is well detailed and the characters are rich.

Even if you know it's a routine, but one hook is connected to another, one suspense after another, and the flesh and blood are full.

Looking at the same type of "Painted Skin", "Liao Zhai" and "A Chinese Ghost Story", they are all rich in plots, full of characters, and three-dimensional emotions.

And watching "Worry-free" again, it is loose, procrastinating, the rhythm is slow, the foreshadowing is long, and the climax scene is very sloppy.

Concave shape, riddler, in love, anticlimactic.

I hope to use editing and allegorical methods to let the audience taste the satire and mapping for themselves.

But what the audience wants to see is not this kind of pretended tragedy -

Unless you're really deep and pushy.

Of course, the above is analyzed from the perspective of the drama and the market, in fact, the biggest controversy in this drama is the heroine's airborne.

The crew stated that the airborne was because of the sensitive subject matter, but everyone knew that the airborne was because Song Zuer needed this blitzkrieg to come back after the tax evasion turmoil.

Therefore, the early publicity of this drama was insufficient, but in fact, he did not dare to publicize it excessively, for fear of netizens spraying.

As long as I broadcast fast enough and the traffic is full after the broadcast, the audience's moral criticism will not be able to catch up with the speed at which I make money.

To be honest, there are many celebrities who have disappeared because of tax issues, and if you have to pick one to make a comeback, it is better to come back.

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