This article is reproduced from: People's Daily Online-Anhui Channel

Under the Zixia Peak in Huizhou District, Huangshan City, Anhui Province, 24 ancient buildings of the Ming and Qing dynasties stand quietly, and the cornices and corners contrast with the distant mountains and green daisies. This is known as the "living monograph of folk art in China's Ming Dynasty", a living museum that perfectly integrates architectural protection and cultural inheritance. In recent years, the museum has rejuvenated the sleeping ancient buildings by innovating the protection and utilization model, providing new ideas for the protection of cultural heritage.

Submarine dwelling.

Walking in the park covering an area of more than 1984 acres, the winter melon beams of the ancestral hall of the Ming Dynasty are still solid, and the carved doors and windows of the "Chengren Hall" in the late Qing Dynasty are as exquisite as ever. Since 0, the local government has adhered to the principle of "original demolition and construction, centralized protection", and relocated more than ten precarious Ming Dynasty buildings scattered throughout Huizhou, and improved ventilation and drainage conditions by strengthening the original house structure, so that the ancient buildings of the Ming and Qing dynasties can be preserved for a long time. At the same time, the modern lightning protection and fire protection systems have been cleverly integrated, so that the old buildings have a new "armor" to resist risks.

“世清書屋”徽州文獻中心。

"We don't just want to protect these buildings, we need to make them come alive." Wang Qiao, director of the Qiankou Folk House Museum, introduced that through three-dimensional modeling technology, visitors can intuitively understand the beam structure of the Huizhou architecture, and the restored historical space of Cheng Pei Hall reproduces the home scene of the late Qing Dynasty and the Republic of China in Huizhou. In the Huizhou Documentation Center of the "Shiqing Book House", more than 4000 volumes of Huizhou documents have built a three-dimensional local chronicle, while the "Qianchuan Scenery" Cultural and Creative Center has transformed the cornices curve into fashionable brooches and refrigerator magnets, allowing traditional culture to enter modern life.

Cultural and creative products of submerged houses.

非遺體驗區熱鬧非凡，縣級非物質文化遺產代表性專案——徽州手工傳統布藝代表性傳承人程飛麗正在現場教學布藝技藝。“這些活動不僅有趣，更能讓人感受到傳統文化的溫度。”來自上海的遊客李柯說道。博物館將非遺傳承與研學教育相結合，開設了魚燈繪製、古建拓印等體驗專案。“這不僅是一門手藝，更是徽州人的生活智慧。”潛口民宅博物館研學負責人徐聶清介紹。2024年，這裡接待遊客達34.7萬人次，成為展示徽文化的重要視窗。

Cheng Feili taught cloth skills on the spot.

"Go to Beijing to see the Imperial Palace, and go to the dive mouth to see the private houses." As Mr. Shan Shiyuan, a well-known expert in ancient architecture, said, the Qiankou Folk House Museum shows the essence of Hui architecture with its unique charm. Today, the museum is using an innovative conservation and utilization model to make ancient buildings not only stay in history, but also live in the present and move towards the future. Through the development path of "architecture as the body, culture as the soul, and experience as the pulse", the Qiankou Folk House Museum is writing a new chapter in the revitalization of cultural heritage, so that traditional culture will bloom with more brilliant brilliance in the new era. (Fang Ark Chen Yun text/photo)