When Zhao Liying appeared at the roadshow of the movie "Sunflower" in her tenth GH haute couture dress, the keen fashion observer had already noticed a subtle change.

This gradient gauze skirt embellished with star diamonds not only continues the fairy route she is good at, but also shows sharp edges and corners in the shoulder line treatment.

Behind this visual change, there is the truth that the actor parted ways with his ten-year partner Minta Shark - this is not only a change in the styling team, but also a necessary pain in the transformation of 85 flowers.

從《花千骨》的夢幻紗裙到《第二十條》的檢察官制服，趙麗穎的造型轉型軌跡與她的職業規劃高度重合。

According to people familiar with the matter, with the popularity of realistic works such as "Happiness to Ten Thousand Homes" and "The Wind Blows in the Summer", the team has put forward higher requirements for the narrative function of the modeling.

He Xingfu's coarse cloth apron needs to show the fireworks of rural women, and Xu Banxia's retro suit must bear the imprint of the times, all of which require stylists to break through the traditional aesthetic framework.

At a script reading meeting, Zhao Liying once pointed to Xu Banxia's fur design and emphasized: "I want the audience to see the smell of engine oil in the steel industry from the folds of clothes." ”

This artistic pursuit gradually cracked with the modeling concept of the Minta shark. The former is obsessed with using ES haute couture and JPG ready-to-wear to create a "high-quality" image of the international red carpet, while the latter needs to be able to blend into the rough texture of the fireworks in the market.

When the wool curly hairstyle of "The Wind Blows in the Summer" appeared on the hot search, fans found that the styling team had quietly introduced a new member, Sanmao. This designer specializes in using elements of Middle Eastern wedding dresses.

The first answer sheet handed over in the "Sunflower" roadshow sparked polar reviews: some praised the stunning mix of Bulgari jewelry and Lebanese haute couture, while others missed the neat Armani suit from the Minta shark period.

The comprehensive upgrade of film and television resources has intensified the pressure of team reorganization. The literary film "The Road of the Tiger and Wolf", which is impacting the Berlin Film Festival, requires the modeling to not only show the desolation of the Northwest Gobi, but also hide the treacherous changes in the psychology of the characters.

A costume director involved in the project revealed: "What we need now is not just aesthetic online stylists, but film and television stylists who can read scripts." ”

This professional appeal just confirms the concerns of fans - Sanmaodao's look at one of the events was questioned as "like a walking jewelry display", and Minta Shark's Cannes film festival uniform is still a red carpet textbook.

In the face of the fans' collective petition to "change back to Sister Shark", Zhao Liying's response between the live broadcast was quite meaningful: "Each stage needs different partners. ”

This sentence reminds people of the past when she insisted on not washing her hair for three months to maintain the roughness of the character when she was filming "Happiness to Ten Thousand Homes". Now, the plain cardigan and faded silk scarf of the female teacher in "Sunflower" seem to indicate that the new team is exploring a more realistic styling language.

This half-year shock of the modeling team is essentially a reconstruction of the aesthetic system that must be experienced by the transformation of top actors. When "Savage Growth" needed to show the sense of power of the steel female entrepreneur.

"The Road of the Tiger and Wolf" requires the vicissitudes of the Northwest peasant women, and the fairy gauze skirts that have created countless red carpet myths will eventually give way to more narrative tension styling choices.

Perhaps, as one fashion critic put it: "Real actors never stop in a safe zone, their stylists must learn to grow roses in the soil of reality." ”