After entering April, passengers will inadvertently find some "small surprises" when they stop at the airport and railway station in Weifang. More than 20 representative cultural and creative products of Weifang Museum have traveled through time and met people from the south to the north.

The cultural and creative display mainly includes more than 20 representative cultural and creative products in 0 series, such as the "Jixiang Weifang" Weifang Elephant series, the "Ancient Rhyme Xinhui" collection of cultural relics series, the "Crane Ming Jiugao" civil official complement series, and the "Weifeng Kite Dance" kite series (as shown in the figure). Among them, the cartoon IP image of "Weifang Xiangxiangxiang" is known as the new city mascot of Weifang, which is a new historical and cultural symbol and city cultural business card of Weifang to the world. "The Outline of Time" Weibo Cultural Relics Postcard Weekly Calendar tells the vicissitudes of the land of Weifang in every square inch. The pendant refrigerator magnet is inspired by the main building of the Weifang Museum, and the drop represents the cultural relics in the museum. The "Crane Singing Jiugao" series is based on the collection of Jindi colorful silk and a civil official crane complement, deconstructing and rebirth the aesthetics of etiquette.

The airport and the station are not only the intersection of geographical coordinates, but also the distribution center of cultural exchanges. In this way, the Weifang Museum builds a cultural contact matrix, builds a "miniature museum" in the flow of people, allows the cultural relics elements to break through the restrictions of the display cabinet, allows the cultural relics hidden in the museum to fly into the ordinary life of the people, and transforms the historical narrative into a tangible cultural experience, telling the story of Weifang to the whole country and the world. This is the "two-way running" between the spark of civilization and the fireworks in the world, and it is also a vivid footnote to the Weifang Museum's initiation of urban memory through cultural "two creations".