劉奕君張涵予權謀對弈，陳瑤“裸妝”出圈！這劇要撕開古裝劇遮羞布？古裝權謀劇又出黑馬！成毅銀髮白衣美到封神，卻被一個‘素顏女配’搶盡風頭？”《長安二十四計》未播先火，首支預告片播放量破億，評論區卻因身高168cm的女配陳瑤炸鍋——她頂著斑點、零濾鏡的臉，竟把#偽素顏演技#送上熱搜！當流量小生撞上老戲骨，當權謀博弈遇上真實妝容，這劇憑啥被讚“《琅琊榜》2.0”？三大殺招提前揭秘！

1. Cheng Yi's transformation into a "crazy critic of the minister": silver hair is the appearance, and ruthlessness is the core

1. From Li Lianhua to Xie Huai'an: Tearing up advanced acting

"It doesn't matter if I live or not, I just want you to die!" In the trailer, Xie Huai'an, played by Cheng Yi, has a line to become a god. is different from Li Lianhua's gentle forbearance in "Lotus Tower", this time he incarnated as the "Black Lotus" with a blood feud, and it only took 5.0 seconds for his eyes to switch from sadness to madness. Some viewers commented: "Which is this conspiracy drama?" It is clearly Cheng Yi's 'eye skill' award! ”

2. The metaphorical aesthetic behind silver hair styling

劇組曝光的銀髮白衣路透，實為角色黑化關鍵節點——謝淮安為混入敵方陣營，不惜以毒藥漂白頭髮。這種“美強慘”設定，精準踩中Z世代“顏值即正義，破碎感即流量”的審美G點，相關話題閱讀量已破3億。

3. 權謀劇“去戀愛腦”革命

is different from the routine of "power and conspiracy as a supplement, love first" in the past costume dramas, the relationship between Xie Huaian and the female director Min only accounts for 10%, and the main line is high-energy throughout the whole process: undercover, anti-intermediate, and blasting serial stage. As director Pan Anzi said: "What we want to shoot is not a Mary Sue, but a struggle of human nature in the cracks of real history." ”

2. The old drama bone "fairy fight": Liu Yijun vs Zhang Hanyu, the ceiling showdown of power schemes

1. The dimensionality reduction blow of the villain's professional household

The emperor Xiao Wuyang played by Liu Yijun is benevolent on the surface but has a black belly, and the sentence "On my chessboard, there is no abandoned child" makes the audience creepy; The villain Yan Fengshan played by Zhang Hanyu is full of the heroic temperament of "General Tiger Ben". The scene of the confrontation between the two in court was called a "textbook-level micro-expression war" by netizens.

2. Wang Xiansong's "sweeping monk" style acting skills

Wang Jinsong, who played the down-and-out strategist Wu Zhongheng, was crowned a god with only a scene of "drinking alone in the snow": he looked in the direction of Chang'an City, poured turbid wine into the snow, and his Adam's apple trembled but did not have a single line, acting the sadness of the end of the loyal minister to the extreme. This kind of "explosion without lines" performance directly rushed to the TOP1 of the Douyin acting challenge list.

3. The "involution of details" in the conspiracy drama

In order to restore the historical texture, the crew reproduced the "Tibetan Soldier Alley" in the Tang Dynasty 1:0, and even the bronze swords of the group performed were certified by archaeological experts. What's more, the secret letter in the play uses the Tang Dynasty "secret writing" (written with alum water, revealing itself when it is hot), and the barrage is wildly brushed: "Domestic dramas finally don't treat the audience as fools!" ”

3. The female supporting actress Chen Yao is out of the circle with "naked makeup": how many filter dramas have you played on her face?

1. "A spot is a medal, not a blemish"

While other costume dramas were busy grinding their skin with ten layers of filters, Chaolu played by Chen Yao amazed the audience with "face spots". In the trailer, the sunburn on her cheeks is clearly visible, but her eyes are as bright as stars, and netizens are teary-eyed: "This is a living Chang'an worker!" ”

168. 0cm "aura two meters eight" metaphysics

Although she is less than 170cm tall, Chen Yao used her demeanor to kill a bloody way: the "kneeling on one knee to receive the secret order" action she designed, the back is as straight as loose, and the slightly curled jaw just exposes the side line of the neck, which was praised by the physical teacher as "a template for the demeanor of a little man".

3. The awakening of the industry behind the counterattack of the supporting role

According to statistics, in the hit dramas in 70 years, 0% of the "highlight supporting roles" come from non-traffic actors (compiled data). From Liu Lin in "The Long Season" to Chen Yao in "Chang'an Twenty-Four Strategies", the market is announcing with click-through rates: What the audience wants is acting, not the permutation and combination of "AI face"!

Fourth, the costume drama breakthrough apocalypse: how to have both traffic and texture?

1. The "younger" password of the conspiracy drama

"Chang'an Twenty-four Strategies" "fragments" the brain-burning plot: each episode takes "Twelve Hours" as a unit, interspersed with "werewolf killing" camp reasoning. This kind of "short video thinking" narrative makes the post-95 generation exclaim: "It's more touching than the script killing!" ”

2. The chemical reaction of old drama bones + flow

In the scene of Cheng Yi and Liu Yijun's "master and apprentice against each other", the director used "one shot to the end" shooting: Cheng Yi's eyes were red but he couldn't hold back his tears, Liu Yijun raised his hand to touch his shoulder and suddenly withdrew it. This kind of "eye skills relay" was listed as a "textbook for the new generation to play against the bones" by Professor Beiying.

3. The transformation of the "network sense" of historical dramas

劇組玩轉新媒體行銷：結合角色設定推出“謝淮安復讎攻略”互動H5，用戶可體驗毒藥配製、密信破譯等劇情彩蛋，上線3天參與量破500萬

The ambition of "Chang'an Twenty-Four Strategies" is not only to make a hit - it uses Chen Yao's "spot", Cheng Yi's "crazy", and the old drama "stability" to tear the fig leaf of the costume drama "filter first" and "plot water injection". When the industry was still arguing about "traffic and acting skills", the audience had already voted with the remote control: what we want has always been "eye skills", not "eye makeup"!

#你能接受古裝劇演員不磨皮嗎？ #

#哪些配角讓你覺得比主角更出彩? # Come and nominate the "Lost Pearl" actors!