Recently, when Bailu published a text about his recent state, he was discovered by netizens that there were three typos in a short paragraph, so many people began to ridicule Bailu's low level of culture, and some people bluntly said that Bailu was illiterate. Faced with the doubts of netizens, screenwriter Yu Zheng posted a reply: "If you want to buy a doll, don't chase stars!" This "typo turmoil" not only exposes the long-term neglect of the cultural literacy of artists in the entertainment industry, but also reflects the fierce collision between the public's zero-tolerance attitude towards "idol disqualification" and the protection of capital.

Regarding Bailu's writing typo, some netizens sorted out the language loopholes in his past interviews, such as reading "popular people" as "braised people" and "confession" as "a thousand regrets"; Some people also turned out of Zhengzheng's Weibo that supported her "cultured" in her early years, ridiculing "the slap in the face came too quickly".

The reason why the Bailu incident caused an uproar is essentially a concentrated outbreak of long-term public dissatisfaction with "illiterate stars":

1. Questioning the threshold of the industry: As a cultural communicator, if an actor can't even master the basic vocabulary, is he worthy of a sky-high salary and fans?

2. The arrogant backlash of capital: Yu Zheng's attitude of "typos are reasonable" is regarded as the epitome of "heavy traffic and light literacy" in the entertainment industry. Netizens asked: "Celebrities can not read, but why should they ask the audience to 'lower their standards'?" ”

3. The metaphor of educational equity: ordinary people "live and die" for higher education, but celebrities are tolerated because they "don't have time to study", which exacerbates society's anger at the unfair distribution of resources.

As one netizen said: "If you don't need to be ashamed of reading mistakes, then what's the point of reading hard?" ”

Bailu is not the first artist to overturn due to cultural literacy. From Wang Yibo's misspelling of the word "You" to Zhao Lusi's ignorance of the fiction of the "Nobel Prize in Mathematics", such incidents frequently expose the industry's chronic diseases:

Capital short-sightedness: brokerage companies focus on appearance marketing and light cultural training, artists are packaged as "commodities", and connotation becomes dispensable decoration.

Fast-food star-making: Mass production of idols in talent shows and variety show assembly lines, and some artists debuted before graduating from junior high school, missing the opportunity for systematic education. Fans have no bottom line maintenance: In the face of idol mistakes, some fans wash the floor with "cuteness" and "true temperament", which promotes industry inertia.

In this incident, there are still fans who insist that "slips of the tongue are normal", and even launched the topic of "protecting Bailu", trying to cover up the controversy with accusations. This kind of "doting star chasing" has become a hotbed for "desperate illiteracy".

Yu Zheng's "righteous speech" seems to defend the artist, but in fact it is dwarfing the entire industry - if the star is willing to be a "brainless doll", why should the audience pay their true feelings?

The real revelation of this turmoil may be that a true idol should not only be a feast for the skin, but also need the weight of the soul. And this weight will eventually come from the awe of culture, respect for the profession, and insatiable self